Stand-Up Comics audition to known Laughs Per Minute (LPM) standards via video or live performance in comedy clubs.
But there is another, very different type of audition you want to think about early on.
Because you never really know when a casting director might spot you,
and want to see you read the script for him or her
the very next day.
Note: for this short excursion into film history as relevant to current comedies,
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There is a tradition in motion pictures that many film directors subscribe to:
•Non-actors can give more realistic performances because they make un-traditional choices
for delivering lines, making gestures, unselfconscious postures when making crosses, turns, standing up, sitting down, etc.
Beginning film students learn about this when studying post-World War II Italian neorealism.
which greatly influenced the legendary director Frederico Fellini (January 20, 1920–October 31, 1993).
But advanced film students soon discover that the past master of this tradition was
the Frenchman Robert Bresson (September 25, 1901–December 18, 1999).
His masterpieces are available on DVD which can be rented from neflix.com for as little as $4.99/month.
Some of the most helpful Extras for our current discussion are on:
"The Pickpocket" (1959)
"Mouchette" (1967) which show Bresson directing his cast of "real people,"
demonstrating his expertise in working with non-actors.
Bresson was very controversial at the time, as seen in this interview:
Bresson inadvertently ushered in the New Wave in French cinema, although he was not part of that movement.
You can see his clear influence in the work of New Wave leader Jean-Luc Godard (born 3 December 1930).
One of Godard's perhaps most available comedies is "The Band of Outsiders" (1964).
Woody Allen remains greatly influenced by this same period,
as can be clearly seen in his comedies:
"Alice" (1990) starring his then girlfriend Mia Farrow (born February 9, 1945).
She is the daughter of great filmmaker John Farrow and actress Maureen O'Sullivan.
Mia Farrow appeared in 12 of Allen's films.
"Whatever Works" (2009) features stand-up comic and comedy writer Larry David's (born July 2, 1947) best work to date.
Allen continues to hire comics and unique actors and real people who fit the part.
His auditions sometimes last only a few minutes, astonishing seasoned pros . . . as testified in their interviews.
Many of today's directors who went to formal film schools studied during the above era in film history
are now top players in American movies and TV shows.
Therefore, anytime you appear in public where casting directors can spot you,
you can involuntarily be auditioning for a major motion picture or TV show.
More often or not, comics find themselves at this type of audition as a result of a casting director spotting their act in a comedy club.
At that point, the comic must change gears, and prep for a formal audition.
Many comics are thrown off by the sudden lack of control since they will not be doing their honed comedy club act.
Now the comic will be presenting an unfamiliar script and performing it in front of just a few folks.
Yes: these days, the casting director will video the audition to later see how the camera sees you.
Not at all what the human eye sees in real life!
Warning: there is an exaggerated assertion that an actor or comic must never look at a script before an audition.
A more accurate description of the known dangers would seem more appropriate:
1) There is no time to work on character as you often get the script the night before the reading.
Even then, expect to be handed a completely re-written script just as you walk into the audition hall.
2) After you read the script:
Do read only your lines in the script just once, silently to yourself.
This should be an eyes-on-script reading, looking nowhere else but at the script.
You are just getting familiar with seeing the words on the page.
This, so the actor or comic does not accidentally re-word the copy during the actual audition.
Hint: the casting director knows all about "improvisation," and will formally ask you to wing it, if and when they want to see your improvisation skills.
Up until that point, they are usually much more worried about whether or not you are capable of reading the script . . . as written.
3) Finally, the night before, read the script once aloud for phrasing.
This, so you don't get tongue-tied during the real audition.
At that point, yes: the actor or comic would be wise to put the script away until the audition.
•Perhaps repeating steps 1 & 2 the next day, many hours before the actual audition time.
•But then, forget about reading the script any more than that to avoid getting too uptight in front of the casting folks.
And if they hand you a new script, you will know to repeat steps 1 & 2 ASAP.
Keep It Simple Silly (KISS): two steps and then, met those audition folks with an open mind.
That's my 2-cents worth.
Oh, one more thing.
See the movie "City Island" (2009) with Andy Garcia (born April 12, 1956) auditioning for a Martin Scorsese (born November17, 1942) movie:
That scene says it all!
Watch a preview here that includes his first goof at the auditions.
Martin Scorsese is also a great student of film history, appearing on many DVD Extras and writing forwards to several film books.
For a contrasting way of writing up the biographies of the above folks, always consult the Internet Movie Database referred to in movie buff conversations as simply IMDb.
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Page last updated: Monday, December 9, 2013, 2:51 pm PST